Thursday, October 1, 2015

Torch Runner - Endless Nothing (2014)


Greensboro, NC crust champions Torch Runner have managed to follow up 2012's Committed to the Ground with an even more monstrously gnarly crusher of an album. Everything that made Committed... great is here - the warm tube tone brimming with life, the consistent juggernaut drumming, memorable riffs upon memorable riffs, and lyrics that stick with the listener long after the song is over - but Endless... brings these elements to the table with new tenacity and vigor, creating a unique musical work that deserves a place among the great heavy records of the 2010's.

Artwork: The overall presentation of this record is eerily similar to Torch Runner's previous record, Committed to the Ground, with its circular/cyclical imagery shown in dark, organic tones. This record cover shows Torch Runner's at-times unconventional approach to their grimy craft - maybe not typical, but always highly effective.

Structure: Endless... is 13 songs that hover around 1:30 in length, besides the eighth track, which reaches boldly to the 4:00 minute mark with a consistently dirgy headbanger's dream. It plays like a straight-forward crust/grind album, plain and simple.

Sound: The crusty grind brought forth on Committed... continues full-force here, with some subtle adjustments that seem to point toward Torch Runner maturing as a band. This record sounds absolutely killer - Legitimate Business studio at its best, as always. The production on this record is a touch less harsh than on Committed... which works in the record's favor. Every minute detail of every track is detectable, even if they are flying by a breakneck speed.

Lyrics: Rob Turner returns here with the same grace and intention found on Committed... speaking of internal unrest and the struggle against nihilistic and existential thoughts. Torch Runner always has a point to make, even if it will only take 30 seconds to make it.

For Fans Of: Cursed, Neurosis, Thou

Favorite Lyrics: "we walk above our shallow graves without fear or hope. treading unbroken with no sorrow - it died with our gods. having no purpose, because we have rejected our world. standing or fallen, there is only tomorrow. unwavering and endless."

Favorite Track: Congregation


  1. Attrition
  2. Bound By Misery
  3. Congregation
  4. Circuition
  5. Godlust
  6. Rebirth
  7. Calloused Mind
  8. Circle of Shit
  9. Wordless
  10. Endless Nothing
  11. ALEL
  12. All We Have
  13. Unspoken
Rating: 9 / 10 

Merch: Headfirst Records
Listen: Bandcamp
Follow: Facebook

Yautja - Songs of Lament (2015)


Prodigious craftsmen of song and verse Yautja announced two weeks ago that a new album was on the way, streaming the opening track of what seemed like an advanced successor to their previous record, Songs of Descent. This masterwork will make whatever you were listening to previously sound brutishly rudimentary by comparison - because, after all, raising the bar is what Yautja does best.

Artwork: Anderson of Tapes of a Neon God designed and released the cassette version of Songs of Descent. Given full reign over the visual aspects of this record, Anderson has taken Yautja's already shattering presence even deeper into unsettlingly beautiful territory.


Nashville, TN's Yautja have returned from Songs of Descent with what seems to be a follow-up EP titled Songs of Lament. This record tops the impossibly high standards set by ...Descent in 2013 by every measure and is an absolute jaw-dropper of an album. I drove two and a half hours to see Yautja last week, bought this tape, and played it on repeat the entire way home.

Structure: The song titles' format would hint at an A-B-A-B... sequence to the track list, but after many listens, I can't find that type of rhythm. Songs of Lament seems to be seven songs strung together in several ways, namely, effects and noise that are consistent with the tonal quality of the songs. This EP stands with its foot on the boundary of "LP" without crossing it.


Sound: This record opens with Shibby Poole's guitar establishing the opening passage with a tone that somehow sounds even clearer, thicker and more razor-sharp than on Songs of Descent. The production here captures the animal aggression of Yautja, keeping it loosely leashed while allowing it to writhe and thrive in its environment. Every passage that goes by demands the listener's attention. Riff upon riff upon oddly syncopated beat upon melodic butchery of key signature - Yautja's only rule seems to be that they abide by no rules. These songs break all barriers of normalcy like they never existed, and thus stand as something truly great. 10/10, buy it HERE before scrolling any further.

For Fans Of: Neurosis, Gaza, Rush

Favorite Track: Crumbling


  1. Breed Regret
  2. Thankful; Appalled
  3. Of Lament
  4. Revel; Writhe
  5. For Naught
  6. Disgust; Disguise
  7. Crumbling
Rating: 10 / 10 

Merch: (tape) Tapes of a Neon God // (LP preorder) Forcefield Records
Listen: Bandcamp
Follow: Facebook

IDYLLS - PRAYER FOR TERRENE (2014)


The ferociously engaging Brisbane, Australia outfit Idylls dropped their debut LP in March of last year, raising eyebrows worldwide with a mammoth aggression and infectiously body-shaking rhythm unlike anything heard before... except on every single Converge record after When Forever Comes Crashing.

Artwork: This is one of the weirdest album covers I have ever seen. After staring at it intently many times, I feel like there is supposed to be something happening here, but I just don't get it.

Structure: In a rather unorthodox fashion, Prayer For Terrene opens with a nearly 7-minute long opus of calculated chaos and emotion, and follows it with 9 short tracks that are 1/3 its length. Maybe they were trying to distance themselves from Converge, by structuring their album exactly opposite of Jane Doe.

I listen to the first few minutes of the first track about once a week. When I want to hear Idylls, that song scratches the itch perfectly. The track, and only that track, does drag on far too long, building into some unbelievably noisy passages that just don't add anything to the song. Each track that follows plays like an experiment with a random assortment of explosive chemicals, whose results were recorded in musical form. There isn't a lot of consistency, besides the trashcans-falling-down-stairs momentum of the band and the overwhelmingly loud production. Each song is different and worth checking out.

Sound: The fact that their name, album title and song names always appear in all-Caps is appropriate. I should start by saying that Idylls does have a unique take on some aspects of their sound, and those aspects make them worth listening to, repeatedly. Even if this record had not been mixed and mastered by Kurt Ballou (guitarist of Converge, owner/engineer of God City Studios) It would still be a killer record that really stands out as having its own voice worth listening to, if only for the insidiously catchy riffs and rhythms. However, with this record, Idylls had many listeners wondering exactly how many times they have listened to Converge's discography on repeat. About 30 seconds into the first track, an interesting 6/4 rhythm is presented that simultaneously made me want to buy this record and made me think "Is this a B-side from Jane Doe?" and when 1:30 hits, Idylls bares their unique stripe in full view. If you like Converge, you will like this band. If you don't like Converge... get out of my face.

Lyrics: I have no idea what he is saying and I can't find the lyrics. Sorry.

For Fans Of: The Chariot, Converge, kangaroos

Favorite Track: LIED TO


  1. LIED TO
  2. FAGGED OUT ON THE BEACH
  3. SOW CONTROL
  4. ANIMAL TEST
  5. DENIGRATING IN THE TANKS
  6. PCP CRAZY
  7. PAY WITH YOUTH
  8. CONCORD PRISON
  9. CRASHING BOAR
  10. TERRAFORM
Rating: 9 / 10 

Merch: Bandcamp
Listen: Bandcamp
Follow: Facebook

Required Listening Classics - SS Decontrol


When hardcore was born in the late 1970's, most enthusiasts were only able to keep up with the growing movement through zines, mail order flyers, and word of mouth. There were very few actual scenes in the US, so in the beginning, countless hardcore kids would pile into borrowed cars and drive incredible distances to see bands that they were interested in. In some cities, the desire to bring hardcore home was strong enough to drive kids to start their own bands, and when enough bands were started, a scene was created.

Most hardcore scenes were identified with one or two bands from the area. In the very early days of hardcore when Black Flag ruled the West Coast and Minor Threat ruled the East, and there were very nearly zero notable scenes in between, a straight edge band called SSD (Society System Decontrol) would rise up and put Boston on the map. SSD is the prototype of all "Boston hardcore" to come, and The Kids Will Have Their Say is an absolute must-listen for any hardcore kid of any generation. The opening track, "Boiling Point" is just as intense and emotive today as it was when it was written, and is always cited as my #1 song to mosh a hole through a wall to. Check it out below.

Issue 3

Design for quarterly print publications of Black Cloud Talk is complete.

Black Cloud Tapes: Recording for BCT01, Loser's Saturday Mourning Cartoons, is nearing completion, digital artwork below. BCT02 is also being recorded currently by an undisclosed band that I am thrilled to be working with.


I was fortunate enough to catch Yautja last weekend, and they proved yet again that they are pushing boundaries and making incredible art with every step they take as a band.

Until November.

-Brian

"Sigh no more... / Men were deceivers ever, / One foot in sea and one on shore, / To one thing constant never. / Then sigh not so, but let them go..."
-WS

Tuesday, September 1, 2015

Interview with AXIS

Photo Credit: Augie Ruiz

- I first heard Axis on the Weight of the World split 7" you put out a few years ago, and from the live videos I've seen of Axis recently, it seems like you still play "Irreversible" at most of your shows. Do you feel like that song still represents Axis' spirit and sound?

For a lot of people in Florida, especially since the album isn't out, it's the AXIS song.  I love that split and that song but it was with our first vocalist and it was before I feel like we really found our sound. It's more of an attempted emulation of the nineties metalcore sound rather than our own thing. We try to get away from playing it except for special occasions and it'll be hung up in the rafters soon.

- I hear the term "90's hardcore" thrown around a lot when describing your sound. How do you feel about being described that way? Is Axis heavily influenced by any specific bands from the 1990's?

I don't mind the term at all, it's definitely one of my favorite eras of any music genre. We try to capture what those bands did with a lot of what we do but I don't think that's all we're limited to. We draw influence from a multitude of places but the core of our inspiration nowadays would be bands like Turmoil, Kiss It Goodbye, All Else Failed and late 90's Converge.

- Axis has gained a great deal of recognition in a relatively short span of time, and it is encouraging to see what was a smaller regional band become a noteworthy name on any showbill in the Southeast. Do you feel that Axis has risen to that level because of your hard work, touring, networking, or good fortune, or...?

I think it's sort of a mix of all of that. We've just passed the 5 year mark as a band so I'm sure being at it for a bit has helped. We've just tried to tour as much as possible and really tried to hone our craft these past couple of years. We've had some good luck and some bad luck but I think that was the main benefit to whatever success we've had.

Axis / Self Defense Family split: "The Least Violent Time In Human History"

- How was the connection made between Axis and Self Defense Family that led to the split 7" last year on Deathwish?

Our drummer Tommy is a big fan and threw the idea at them on a whim. They were into the idea and it all fell together. I really love that split because it's basically two bands from opposite ends of the spectrum, not giving a shit and just doing something cool together. It reminds me of the Get Up Kids/Coalesce split.

- It seems like the split garnered attention from a spectrum of fans who wouldn't normally have listened to you. Have you been approached by anyone who first heard you through Self Defense Family?

There's some run over between the fanbases of both bands for sure. But I've definitely had people tell me they've discovered us through the split and probably wouldn't have otherwise. It's cool to have people checking you out beyond their scope of familiarity.

- Do you think you will continue to pursue connections with bands outside your genre?

I think it's likely in some capacity. All of us are into so many different things and as we get older we care less about being par for the course.

- I read in the notes for The Least Violent Time in Human History that "both Mikes quit and Jesse came back." Has Axis had to go through significant lineup changes to keep going as a band?

As of the past couple of years, I'm the only original guy from the first incarnation of the band. It's difficult to find people that all get along, have real musical chemistry and are down to hit the road as much as we do. Our main songwriting core (Tommy, Dylan and I) have been together since 2012, so considering that we've just kept adapting and I think we're a pretty solid unit at this point.

- For myself and others that play in hardcore bands, what advice can you give for being successful as a band? And on that note, how do you feel that Axis defines "success"?

Learn from your peers, write good riffs, find an aesthetic, find band members who are truly compatible together, don't be afraid to be a little different, tour a lot and put all of yourself into every aspect of what you create. Some of those things took me a long time to discover.

Personally, is if it makes you happy and there's others who honestly enjoy what you do, you're there. I get to keep pushing myself creatively and travel the world with my best friends. So in that respect, I feel really successful.

Photo Credit: Davey Burns

- I've wanted to ask this for a year now; I have a copy of Rites of Passage that has a different cover than the normal one, and I can't find it anywhere online. Even the label on the record doesn't look like the normal labels. Is it a tour press, or...?

If it's the Botch rip with the gun or the water panel cover, it's a tour press from between 2013-2014. We ended up with a stack of those 7"s without covers so we had a few different ones done.

- So you just announced that this August, you're touring with Old Wounds. I saw them for the first time a few months ago and it was like walking into a hardcore show in 1998. How does it feel to be able to tour with another current band who has chosen to forego the current hardcore trends in favor of the spirit and zeal of what many consider a bygone era?

It's pretty cool, they're all really awesome (and handsome) guys who take what they do seriously. Old wounds definitely has some 18v and Martyr A.D. feel to them. I think our bands compliment each other really well and if you are into metalcore pre-2003 this tour is right up your alley.

- This blog is based out of Augusta, GA and it looks like 9/4/2015, Axis will be at the New Brookland Tavern in Columbia, SC. Expect to see some Augusta kids there!

Awesome, thanks for the interview. I really enjoyed answering some of these. See you then!

AXIS - "Show Your Greed" Stream


Florida hardcore heroes AXIS drop their debut LP this Friday. Preorder link below. Augusta kids, check out the 9/4 date in Columbia.

PREORDER